100,000 Miles
My eternal 100.000 miles road to wisdom
It probably is a clear manifestation of a solid midlife crisis. Or the desperate cry of an ego trying to break out. Or an honest try to order a gazillion of my thoughts in a mostly structured way. It’s certain that I miss playing with words, sentences and magic dust. The pandemic stole my favorite brain candy: intellectual interaction. I hear a million thoughts screaming to break free. So, I’m starting writing again. I have to. I'll restart my lifelong journey to gather information, streamline my thoughts, distribute them... and discuss all about everything with wonderful minds. I will populate this place with a collection of words and thoughts and vision on societal trends, technology, science and the old ancient art of communication and influencing.
I will collect, assess, question, write, kill, rewrite and build.
The Non Book Author
Paraphrasing Romesh Gunesekera: “A passenger on a road journey is in the hands of a driver; a reader embarking on a journey is in the hands of a narrator.”
Let me be both…
Eight years is long enough for a manifesto to either age badly or age into something more interesting. This one aged into a project. What started in 2018 as a half-serious midlife declaration has since produced roughly 130 posts, 10 letters to my daughter, two decades of SXSW attendance running in parallel, a collection of specific people met in specific hotel bars, and a number that crossed 100,000 at some point over the Texas hill country in August 2025. The chapters below are what happened after the manifesto.
The chapters so far
There are the Austin chapters, which by now constitute a small novel on their own. Year after year, the convention center filled up, spilled over, and in 2026 the building itself was a $1.6 billion hole in the ground while the festival spread across the city and somehow became more interesting without a mothership. There is the year I sat in a hotel ballroom and watched Brian Solis name the Work Chart, which I have not stopped quoting since. There is Charmageddon, a piece I filed from Austin in March 2026 about cognitive Darwinism and what it means to come home from a place that has spent a week aggressively reorganizing your assumptions. And there is the year Amy Webb buried her trend report under an audience that had stopped believing in smooth futures: I covered that moment in the Amy Webb and Scott Galloway dispatch from SXSW 2025, a session that felt, for about forty minutes, like two adults refusing to perform optimism for the cameras.
Then there are the Belgian-French commute chapters (quieter, less brisket). Most people who fly to Austin once a year do not spend the intervening months shuttling between Ghent and Paris on trains that may or may not be on strike. That commute, with its particular friction between two cultures that share a border and almost nothing else, sharpens certain observations about how Europeans approach leadership, hierarchy, and the performance of being reasonable. Get off that Freudian couch is one of those pieces: an argument against the culture of endless explanation and for the uncomfortable work of actual change, written after one too many meetings where understanding had become an alibi. Never miss Brain Day came from the same place, with a different target: the slow leak of curiosity that remote work accelerates when nobody is paying attention.
There are the people-met chapters. Jessica Meir at SXSW 2017, an astronaut with a very precise view of what diversity actually requires versus what conferences say it requires. John Havens in New York in 2018, on killer robots, the generation that needs to save the planet, and why tech ethics is not a philosophical exercise. Jane Goodall, who taught me something I had not expected to learn from a primatologist: that listening is a method, not a disposition. Each of these encounters produced a post, and each post produced something that changed how I framed the next conversation.
And then there are the airport-philosophy chapters, which are exactly what they sound like. Airports are, in my experience, the most honest public spaces on earth (the architecture is hostile, the food is overpriced, the seating punishes you for staying too long, and yet people keep showing up). 42 lessons from 100,000 miles is partly an airport book: a collection of things that become obvious only when you have spent enough hours in departure halls watching strangers negotiate their carry-on luggage with the quiet fury of the chronically sleep-deprived. Notes from inside the American pressure cooker, filed from Austin in March 2026, is another: an observation about what it feels like to be a European watching America from inside, when the inside is very loud and not entirely sure where it is going. 2026: the year friction shows its teeth belongs here too, written from the altitude where airport transit and geopolitical reality start to look like the same thing.
Why I keep going to Austin
I have been going to SXSW for over two decades, which means I have watched it absorb Twitter (2007), survive the years when everyone decided it had lost its soul (roughly 2015 through 2017), become briefly political (2018, when the panels started arguing about democracy), and arrive at its current incarnation as a festival large enough to hold an entire argument about the future without resolving it. The year Spielberg showed up to talk about Ready Player One, the convention center smelled like a film set and a tech conference had a minor identity crisis on stage. The year Amy Webb delivered her tech supercycle keynote with the precision of someone who had been right about too many things and was tired of being polite about it, I took three pages of notes and rewrote my entire speaker deck on the flight home. The year the convention center was demolished and the festival spilled across downtown Austin in a decentralized experiment that nobody had voted for and most people found more interesting than the original format: that was 2026, and it felt like the city had accidentally designed a better conference.
What keeps me coming back has nothing to do with nostalgia, and everything to do with the longitudinal data. Each March I carry the memory of the last twenty, which means I can tell when a room is performing optimism versus actually believing it. SXSW 2026’s central question was whether humans still need to matter in a world that is rapidly automating the appearance of mattering. That is not a question you can answer in one year. You need the baseline of 2013, when the question was whether smartphones were making us dumb, and 2017, when it was whether social media was making us political, and 2023, when ChatGPT arrived in Austin like a gate-crasher who turned out to own the building. The Davy Crockett line I keep returning to is not ironic. Austin is where I go when I need to think in public.
SXSW 2025 was a battleground, and its conclusion turned out to be surprisingly warm: the ultimate gadget that year was each other. The 2022 return after COVID was something else: ten thousand badge-wearing optimists who had spent two years on Zoom converging on Sixth Street with the slightly manic energy of people who had forgotten what rooms smelled like. I was one of them (the manic energy part; I had not forgotten what rooms smelled like, I kept traveling).
Letters from Lake Travis
There are now 10 Dear Tara letters in the archive, all filed from somewhere on the road, most of them from the same spot overlooking Lake Travis where the moon does its best work on a clear March night. The ninth letter, written in March 2026, opens with that moon dragging a silver line across the water, which is either a cliche or an accurate description depending on whether you have sat there at midnight after a week of SXSW panels about artificial intelligence and the future of human relevance. The letters were never meant to be a series; they started as a single note to a small person who would not read it for years. Tara is old enough now to have opinions about most things, including, increasingly, the things I write, which changes the calculus of the project in ways I did not anticipate when I started.
Frequently asked questions
What is 100,000 Miles?
Why is travel a research method for thought leadership?
How does an executive justify travel in a remote-first world?
What's the value of going to SXSW for 20 years?
Where does the rolling book idea come from?
How do you stay grounded with constant movement?
What's the role of the Dear Tara letters in the project?
What are the 42 lessons from 100,000 miles?
Why Lake Travis specifically?
How is travel different from tourism in your work?
What makes Belgium and France different work cultures?
What's the next leg of the rolling book?
A closing thought
The rolling book has no final chapter. That is structural, not evasive. Real sourcing projects do not end when the counter hits a number; they end when the writer stops being curious, or stops getting on planes, or runs out of people worth talking to. None of those things have happened yet. The counter crossed 100,000 somewhere over Texas, which is fitting for a project that has returned to Texas more reliably than any other coordinate on the route, and the counter kept moving because the flight home has never been the end of the story, only the place where the next chapter starts taking notes.
You have a choice about what to do with this archive. You can read it as a travel log, which it partly is. You can read it as an ongoing argument about technology and leadership and what European executives should be thinking about when the Americans are all arguing about the future at the top of their lungs: it is that too. Or you can use it the way I use it, which is as a record of what was interesting in a given room, at a given moment, before the room agreed on what the lesson was supposed to be. That version is the most useful one for anyone who is trying to do original thinking rather than consume it.
Pick a chapter. Read the post it links to. If it makes you want to disagree with me, email me. That is how most of the best conversations in this project started.